With remarkably fortuitous timing, on Friday 1st November the Dukes at Komedia in Brighton is screening Brian De Palma's classic 1976 adaptation of Stephen King's debut novel Carrie to be followed by a prom themed after-party. I'll be there in the bar area before the screening selling copies of my monograph about the film which has recently been published by Auteur Publishing.
Tuesday, 29 October 2013
Carrie screening at Dukes at Komedia
With remarkably fortuitous timing, on Friday 1st November the Dukes at Komedia in Brighton is screening Brian De Palma's classic 1976 adaptation of Stephen King's debut novel Carrie to be followed by a prom themed after-party. I'll be there in the bar area before the screening selling copies of my monograph about the film which has recently been published by Auteur Publishing.
Labels:
Auteur Publishing,
Brian De Palma,
Carrie,
Dukes at Komedia
Tuesday, 17 September 2013
To Die For...A Prophet (Jacques Audiard, 2009)
Many
films spring to mind. I have nostalgic choices and ones based on
favourite performances (Dreyfuss in The
Goodbye Girl,
Cotillard in Rust
and Bone,
Shoenaerts in Bullhead),
but the film that sucker-punched me on its first viewing is Jacques
Audiard's A
Prophet.
It's a frontrunner in contemporary cinema and ruins me every time I
watch it. I went to see it with a couple of friends who wrote it off
as being "violent' and "too long". I got that it was
brutal and relentless but at the heart of the film is triumph and
defiance. Malik El Djebena's (Tahar Rahim) departure from timid to
invulnerable is effortless; Rahim is staggeringly good in the role.
His character would never have behaved the way he does were he not in
prison, and because of that he emerges a hero despite the heinous
things he's forced to do. And I love a broken hero.
As
an audience member the relationship between Malik and Cesar Luciana
(Niels Arestrup) is terrifying but engrossing. From an actor's
perspective the central performances are flawless. From a girl who
grew up watching gangster movies it ticks that box too. I'd seen
Audiard's work before and been wowed, but, for me, A
Prophet
is his masterpiece. Audiard does't even use an overbearing score to
manipulate us. Though I do always relish the burst of Nas in the
kitchen/montage scene, reflecting Malik's change. The hero succeeds
and the baddie crumples, which, after over two hours of anguish is
just what the audience/me needs. The story, Audiard's understanding
of what makes the perfect performance (I truly believe they are
perfect) and the acute intimacy of the handheld shooting firmly
cements A
Prophet
as my film to die for.
Rebecca Callard
Rebecca Callard is an English actress based in London. Her credits include The Borrowers, Robin Hood, The Grand and Blackout with Christopher Eccleston. Rebecca can be seen next year with Michael Smiley and Steven Graham in the film Orthodox (@Orthodox_film) and in Simon Stephen's (@StephenSimon) play Blindsided.
You can follow Rebecca on Twitter here.
You can follow Rebecca on Twitter here.
Labels:
A Prophet,
Jacques Audiard,
Rebecca Callard,
Tahar Ramin
Flicks and the City: Sleepwalker (Saxon Logan, 1984)
My first review for Flicks and the City went live this morning. Click on the link below to read my views on Saxon Logan's 1984 horror satire Sleepwalker, released in dual format as part of the BFI's Flipside series.
Labels:
BFI,
Flicks and the City,
Saxon Logan,
Sleepwalker
Sunday, 15 September 2013
Devil's Advocates: Carrie
My monograph looking at Brian De Palma's adaptation of Stephen King's Carrie is now available to pre-order on Amazon. It's a privilege to have written a book as part of Auteur Publishing's Devil's Advocates series, and especially on a film that scared the living you know what out of me as a kid. If you would like to pre-order the book, click on the link below. Devil's Advocates: Carrie will be published on the 10th of October, 2013.
Labels:
Auteur Publishing,
Brian De Palma,
Carrie,
Devil's Advocates
Tuesday, 10 September 2013
To Die For...L.A. Story (Mick Jackson, 1991)
It’s
always tough to pick one thing and say 'Yeah, that’s my
favorite'. Your response to works of art, more than anything
apart from people, changes over time. You have to be careful not to
select something merely because it struck a chord a long time ago,
when you were a different person.
The
movie I’m picking, however, suggested itself straight away, and
partly because of longevity in my affections. I first saw it over
twenty years ago; I most recently watched it just last week with my
wife, who also holds it dear. It’s L.A. STORY, a funny, sweet and
very silly movie about Los Angeles, and love. Yes, it’s kind of
daft and is now becoming something of a period piece (both LA and
people’s clothes look resolutely early 1990s), but that’s part of
what I love about it. That’s the period when I was first visiting
the city, and the movie captures the era perfectly, the bright sun,
dappled patios, the sense of possibility and the chance of quietly
momentous change.
The
story? Well, it’s about a whacky TV weather guy (Steve Martin) who
falls out of love (Marilu Henner), dallies with someone young and new
(a fantastic early performance from Sarah Jessica Parker) and then,
with the aid of a sentient freeway billboard, naturally, finds
something far deeper and more magical, in the shape of a
Englishwoman (Victoria Tennant) in town to visit her ex-husband
(Richard E. Grant). There are moments in this picture that still make
the hair on the back of my neck rise, moments that make me think
'Yes: when love comes to town, that’s what it’s like. It’s
exactly that disconcerting, and humbling, and scary, and it arrives
from outside, and you stand in awe.'
L.A.
STORY is wistful and funny and romantic (not something I generally
look for in my entertainment), and has stood the test of time for me
in all departments. Not to mention that, in the shape of 'He can
have the chicken' and 'Sorry, it’s my damned testicles'
it’s produced two catchphrases that my wife and I are still using
after two decades... to the utter bemusement of others.
Michael Marshall Smith
Wednesday, 24 July 2013
Electric Sheep review: Les Revenants (The Returned)
To coincide with the airing on UK terrestrial TV of French supernatural series Les Revenants (The Returned), Robin Campillo's 2004 film of the same name has been released on DVD. I took a look at the original for Electric Sheep, click on the link below to read my thoughts.
Labels:
France,
Les Revenants,
Robin Campillo,
The Returned
Wednesday, 17 July 2013
New Empress review: Akira
Having reached its 25th anniversary (where has the time gone?) Katsuhiro Otomo's ground-breaking anime Akira has been re-released for a number of select, celebratory screenings in the UK. Click on the link below to read my thoughts for New Empress on this landmark movie.
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